Editing
From footage to film
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
Video & Photo Studio
Editing that disappears into the story.
At FLOREA DUMITRU, post-production is one person with a clear brief and a deadline that holds. Edit, grade, finish — delivered in writing.
Clear feedback
Notes in plain sentences, never vague adjectives.
Fixed quotes
You talk directly to the person doing the work.
Written brief
One person answers your emails, not a queue.
Reply by email
Your footage stays yours. Always.
01 — Services
What we do, clearly and without jargon
Whatever you need finished, it starts the same way: scope on paper, price in writing, date locked.
Color
Grading with intent
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Retouching
Detail work
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
02 — Recent work
A handful of recent projects
03 — The studio
One editor. One standard. Yours.
FLOREA DUMITRU is a one-person post house, run by FLOREA DUMITRU out of Edineț, Republica Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
We don't chase volume. We take on a handful of projects each month, write everything down, and finish what we start. That's the whole method.
- Written brief and scope before any work starts
- Secure file delivery and confidentiality by default
- Feedback in clear notes, not vague adjectives
('36', 'Repeat clients')Repeat clients
('170+', 'Projects')Projects
('4 yrs', 'In post')In post
('12', 'Countries')Countries
04 — How it works
From brief to delivery, in four steps
Final
You get master files, all requested formats, captions, and a summary of what changed along the way.
Review
Your notes in plain sentences, each answered with an action.
Brief
The goal, the deadline and the links. We reply with the few questions that matter.
Brief
Send footage or links, tell us the goal and deadline. We confirm scope and ask the two or three questions that matter.
05 — Journal
What we learn while we work
What "cinematic editing" actually means (and what it doesn't)
Rhythm, coverage and restraint — a practical look at what actually reads as cinematic.
Read the piece
When to let the grade step back
The scenes that need nothing, and how to know the difference between restraint and laziness.
Read the piece
Working on eyes without deadening them
The subtle craft of keeping catchlights and life in a cleaned-up portrait.
Read the piece
06 — Client words
Notes clients left behind
“
The grade made our brand film finally look like the one in my head. One fixed quote, one delivery, zero surprises.
Mara JovanovicBrand manager, Novi Sad
“
She treated our raw wedding footage like it mattered. The timeline notes were the clearest I have ever received.
Daniel CristeaGroom, Oradea
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Ready to see your project finished?
Share the footage and the deadline — a fixed quote comes back within one working day.